Walkin Appears on “The Complete Live at the Plugged Nickel 1965” (Columbia Legacy 1995). It is originally written by R. Carpenter.
Played live at the Plugged Nickel, First Set December 23, 1965 by:
Miles Davis – Trumpet / Wayne Shorter – Tenor Saxophone / Herbie Hancock – Piano / Ron Carter – Bass / Tony Williams – Drums.
Research for a Wayne Shorter biography revealed that drummer Tony Williams, during the plane ride to Chicago, challenged the rest of the band to play anti-jazz, in essence sabotaging the gig by playing whatever one wished rather than the standard versions. The band kept to the challenge, and the tunes were then radically altered for the Plugged Nickel performances. [source]
At this time Mingus was working regularly with a piano-less quartet featuring Eric Dolphy, Ted Curson and Dannie Richmond, as heard on the Charles Mingus Presents Charles Mingus album also recorded in November 1960. The Mingus album features one track, “Stormy Weather”, recorded by the same quartet, plus two tracks recorded by a larger group featuring piano and additional horns. [source]
Charles Mingus – Bass
Eric Dolphy – Alto sax
Ted Curson – Trumpet
Dannie Richmond – Drums
Originaly released on the album The World of Cecil Taylor .
Cecil Taylor – Piano / Archie Sheep – Sax / Buell Neidlinger – Bass / Denis Charles – Drums
Lonely Fire is recorded 27 January 1970 in Columbia Studio B, and appears on the album Big Fun.
Lineup: Miles Davis – trumpet / Wayne Shorter – tenor saxophone / Bennie Maupin – bass clarinet / Khalil Balakrishna – sitar, Indian instruments / Chick Corea – electric piano / Joe Zawinul – electric piano, Farfisa organ / Dave Holland – double bass / Harvey Brooks – Fender bass guitar / Jack DeJohnette – drums / Billy Cobham – drums / Airto Moreira – Indian instruments, percussion
Incredibly high energy level. Free For All is composed by Wayne Shorter and appears on the album Free For All, recorded in Van Gelder Studio in February 1964. Yay!
Shorter’s title track is one of the finest moments in the Jazz Messengers’ history. [source]
Lineup: Art Blakey – drums / Cedar Walton – piano / Wayne Shorter – tenor saxophone / Freddie Hubbard – trumpet / Curtis Fuller – trombone / Reggie Workman – bass
From the album Freedom Suite by David S. Ware Quartet. Recorded on July 13, 2002 at Systems Two Studio, Brooklyn.
Composed by Sonny Rollins, arranged by David S. Ware.
David S. Ware – tenor sax
Matthew Shipp – piano
William Parker – bass
Guillermo E. Brown – drums
Recorded by Jim Anderson
Tracks on album: Freedom Suite Movement 1 / Interlude / Freedom Suite Movement 2 / Freedom Suite Movement 3
Sonny Rollin’s Freedom Suite (first issued on the Riverside album of the same name) is a protest jazz masterpiece, albeit one relegated to a back seat behind works by Charles Mingus, Max Roach, and even John Coltrane by some critics. There are several reasons for this. Despite being inspired by Rollins’ first-hand experience of housing discrimination in New York, it was recorded in early 1958, and released before the Civil Rights Movement reached critical mass nationally.
The upshot is that “The Freedom Suite” is a natural, if overlooked reservoir for tenor saxophonists of David S. Ware’s generation. Obviously Ware has long been well aware of the piece, having studied with Rollins before his mid-70s emergence. Yet it is somewhat surprising for Ware to give the piece a CD length reading, as so little of Rollins’ influence is detectable even in Ware’s earliest recordings (the notable exception being his take on Kurt Weill’s “My Ship” on drummer Andrew Cyrille’s 1978 Black Saint album Metamusician’s Stomp). Instead, Ware quickly established a sound extrapolating the Fire Music nexus of spiritual and visceral intensities, placing little to no stock in Rollins’ romanticism, humour, and interest in pop music. – Bill Shoemaker, The Wire [source]
Recorded in New York in February and March 1958.
Personel: Sonny Rollins – Tenor Saxophone / Oscar Pettiford – Bass / Max Roach – Drums