Peter Evans Quintet – Stardust (2011)

If you don’t find the sounds of bop jazz dizzying enough, maybe the added effects and sonic confetti shimmering throughout “Stardust” will keep your ears attentive. This track soars through about every dynamic feat a song could, and no trips in sight. [Source]


Peter Evans Quintet – 323 (2011)

The trumpeter Peter Evans fills up musical space almost compulsively, and his new group gives him digital assistance. It’s a jazz quintet, fully paid up in jazz’s mainstream small-group language, except it’s got a computer instead of a second frontline instrument. [Source]

Peter Evans Quintet – …One to Ninety Two (2011)

The Peter Evans Quintet’s Ghosts acts as a sort of back-to-the-future recording—that is, if the present were 2021. This inaugural release on the trumpeter’s own label has a standard trumpet/piano/bass/drums setup, plus the incorporation of real-time, live electronic processing to make up the full quintet. Listening to any recording by Evans often prompts the dubious query, “What did I just hear?” since this über-talent is equally comfortable in the worlds of jazz, classical, and free improvisation. Like his compatriot Jon Irabagon, from the reckless post-post-bop band Mostly Other People Do The Killing, Evans has talent on loan from the jazz gods. His trumpet can be heard on Electric Fruit (Thirsty Ear, 2011) with Weasel Walter and Mary Halvorson, in duos with fellow trumpeter Nate Wooley or bassist Tom Blancarte, and in compelling solo settings. Evans’ experiments in electronics began with a session in Evan Parker’s Electro-Acoustic Ensemble. But where that was a large troupe, the quintet heard here emphasizes the contributions of Sam Pluta. The disc opens with …”One to Ninety-Two,” Evans’ reinterpretation of Mel Tormé’s “Christmas Song.” [Source]